Wedding rings with shiny light

Sonya Headlam

Soprano

"an entrancing soloist...

a perfect match of singer and score."

– South Florida Classical Review


Jennifer Taylor Photography

Biography

With a voice described as “golden” (Seen and Heard International) soprano Sonya Headlam performs ​music that spans centuries. Recent highlights include debuts with the Indianapolis Symphony ​Orchestra, the National Arts Centre Orchestra in Ottawa, and the New York Philharmonic. In the ​2022-2023 season, Sonya made several notable solo debuts, including with the Philadelphia Orchestra ​in Handel's Messiah, her Severance Hall debut with conductor Jeannette Sorrell and Apollo's Fire, ​and Beethoven's Symphony No. 9 with the North Carolina Symphony. Sonya's repeated collaborations ​with Apollo’s Fire, the Milwaukee Symphony Orchestra, and The Choir of Trinity Wall Street have ​played a significant role in her career.


Upcoming highlights of the 2024–25 season include Sonya’s solo debut with the Summer for the City ​Festival Orchestra of Lincoln Center singing Mozart's Exsultate Jubilate and an aria from Joseph ​Bologne's L'Amant anonyme. Fall 2024, Sonya will return to the recording studio with the Raritan ​Players to record Trevor Weston's song cycle Reflections, a new commission. Additional highlights of ​the 2024–25 season include a meaningful return to her home state of Ohio to perform Mahler’s ​Symphony No. 2 with the Akron Symphony Orchestra and her debut with the New Jersey Symphony, ​singing Handel’s Messiah.


Embracing Diversity in Repertoire and Performance:

Sonya fully embraces the challenge of performing a diverse repertoire—from ensemble to solo ​singing, and across stylistic periods ranging from the Renaissance to contemporary works. She finds ​it thrilling to connect with audiences in various settings, whether in sacred spaces, intimate recital ​venues, unconventional performance spaces, or grand concert halls and opera stages. Praised for her ​"genuine tenderness" (Chicago Classical Review), Sonya has a passion for uncovering and sharing the ​works of composers who may not be as well-known but have made valuable contributions to the ​musical world. Her Jamaican heritage has inspired her to explore and perform the works of ​celebrated Jamaican composers such as Peter Ashbourne and Andrew Marshall. Equally at home on ​the opera stage, Sonya has delighted audiences with her portrayals of characters such as le Feu in ​Ravel's L'enfant et les sortilèges, Fiordiligi in Mozart's Così fan tutte, and Musetta in Puccini's La ​bohème.


Recent Premieres, Artist-in-Residence, and Other Innovative Contemporary Projects:

In 2024, Sonya premiered the role of The Caretaker in Luna Pearl Woolf‘s photographic oratorio, ​Number Our Days (conceiver, librettist David Van Taylor), at the Perelman Performing Arts Center ​(PAC NYC). She also joined the Bang on a Can All-Stars and Friends for their dynamic new ​interpretation of Steve Reich's legendary 1976 work, Music for 18 Musicians, at the Brooklyn Academy ​of Music. In 2021, she premiered Patricio Molina's spiritual song Kecha Tregulfe at Carnegie Hall, ​marking the first performance of a song in the Mapudungun language on that stage. In 2023, Sonya ​was honored to be appointed as the Rohde Family Artist-in-Residence at the Chelsea Music Festival, ​where she performed a wide range of chamber music in non-traditional concert spaces, including a ​performance of Iman Habibi’s beautiful and effervescent Ey Sabā with violinist Max Tan. Other ​important innovative contemporary projects include her involvement in Yaz Lancaster's song cycle ​ouroboros, produced by Beth Morrison Projects; a role in Ellen Reid's dreams of the new world with the ​Choir of Trinity Wall Street at the Prototype Festival; participation in Tyshawn Sorey's ​Monochromatic Light (afterlight), directed by Peter Sellars at the Park Avenue Armory; and several ​performances of Julia Wolfe's Steel Hammer with the Bang on a Can All-Stars, including at MASS ​MoCA and Carnegie Hall.










Recordings:

Sonya is featured on the Raritan Players' latest recording, "In the Salon of Madame Brillon: Music ​and Friendship in Benjamin Franklin’s Paris," directed by historical keyboardist and musicologist, ​Dr. Rebecca Cypess. At present, they are collaborating once more on an album featuring the music ​of Ignatius Sancho and premiering new compositions by Trevor Weston.


Commitment to Music Beyond the Stage:

Sonya's commitment to music extends beyond the stage, as she is a church musician, educator, ​scholar, community volunteer, and published author. She was a full-time member of the Choir of ​Trinity Wall Street from 2019–2024, and she remains an auxiliary member, sometimes joining for ​Sunday services, Compline by Candlelights, as well as the annual performances of Handel’s Messiah. ​Sonya has a passion for teaching voice to students of all ages, both at the university level and in her ​private studio. She has also taught ear training at Rutgers University. Her scholarly pursuits led to a ​visiting scholar appointment at Rutgers University in 2021, where she conducted research on the ​eighteenth-century composer Ignatius Sancho. Together with Rebecca Cypess, she presented a ​lecture recital on the life and music of Ignatius Sancho at the 2021 Annual Meeting of the American ​Musicological Society, and they continue to share their research on Sancho in various venues. Sonya’s ​article, "Inspiring the Next Generation: Navigating the Singer’s Path with Purpose and Resilience," ​which shares practical guidance for navigating the complex terrain of a singer's development and ​musical journey, was published in the June/July 2024 issue of the American Music Teacher journal.









Community Service:

In the realm of community service, Sonya dedicates her time and abilities to her local community. ​She has been a member of both the Equity Commission and the Human Relations Commission in ​her neighborhood, and she happily donates her singing talent to cultural events at the local, county, ​and state levels in New Jersey, including Juneteenth and Martin Luther King Jr. Day celebrations. ​Sonya had a fulfilling career at UNICEF's New York headquarters before pursuing music full-time. ​She was also a member of the UN Singers, a staff recreational club that the UN Secretary-General ​has designated as ambassadors of goodwill who regularly travel around the world on missions to ​promote peace and understanding through singing folk music from around the globe. Sonya is a ​proud CME artist and ambassador at Notes for Growth, a charity that sources underutilized pianos ​and transports them for free to students and music institutions in the New York area and Latin ​America.


A Life in Music:

With consistent focus and dedication, Sonya has made music a central part of her life, achieving ​numerous accomplishments along the way including her critically acclaimed Jamaican debut, where ​she performed for distinguished guests such as the Governor General of Jamaica. She also earned a ​Doctor of Musical Arts degree from Rutgers University's Mason Gross School of the Arts, where she ​was honored with the Michael Fardink Memorial Award.


Press

Only participating towards the end of the hour-long work, Sonya Headlam’s instrument was worth ​the wait to hear... Headlam’s ability to draw the audience in with an intimacy of tone and dynamic ​was welcomed in the Orff, and, in a way, nurtured one’s soul...”

– Music City Review, 2024


All three vocal soloists made strong impressions... [including] Sonya Headlam, a soprano with ​mature, expressive tone. I loved her reading of Stetit puella (There stood a girl), emotional and ​connected to the text.”

- Shepherd Express, 2024


“The soloists were excellent. Headlam sang an enthralling Kyrie and a sublime Et incarnatus est...in a ​blissful give-and-take with the lovely obbligato wind parts. Hers is a focused soprano sound, but ​with plenty of warmth.”

Cleveland Classical, 2024


“With a dark, warm voice, soprano Sonya Headlam was heartbreaking as The Caretaker, singing ​quiet lines against an introspective harp... while musing on the privilege of being allowed to share a ​dying person’s final days.”

– Classical Voice North America, 2024


“...the soprano Sonya Headlam filled [her] music with character.”

– The New York Times, 2023


“Sonya Headlam’s richer soprano blended well... in the canonic duet ‘The Lord is my strength and ​my song,’ and shone in her other solo moments.”

– Chicago Classical Review, 2023


Headlam was more vocally dramatic and also adept at the coloratura runs, as well as unnervingly ​convincing... Headlam seemed to find particular joy in the runs of her arias...”

– Princeton Town Topics, 2023


"Other chamber vignettes afforded moments of intimate contemplation amid an otherwise fiery ​reading—especially for the revelation that was Sonya Headlam. She lent her honeyed soprano, pure ​and even from top to bottom, to “I know that my Redeemer liveth” ...Headlam brought a genuine ​tenderness to the aria that made for the evening’s most poignant moment."

– Chicago Classical Review, 2022


"To call [her voice] ‘golden’ would hint at the warmth and luster of her tone, yet there was also ​something breathy and earthy about it that made her opening ‘Comfort ye’ truly welcoming, and the ​following ‘Ev’ry valley’ joyous."

– Seen and Heard International, 2022


“Sonya Headlam was an entrancing soloist... Her light timbre, velvety middle voice and on-the-mark ​coloratura proved a perfect match of singer and score. She scaled the famous concluding Alleluja [of ​Mozart's Exsultate Jubilate] in a joyous manner, marked by elan and flawless intonation.”

South Florida Classical Review, 2022


"Sonya He[a]dlam returned for what proved to be the highlight of the concert: the motet Exsultate, ​jubilate. Exuding confidence and broadcasting smiles, she shaped its lines expressively and sang its ​melismas both flawlessly and with seeming abandon...


Just before the end, He[a]dlam saw her way to a high C and followed that path, crowning the motet ​with a glorious conclusion and bringing a delighted audience along for the ride."

Cleveland Classical, 2022



Wedding rings with shiny light

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